Location: the large town of Tunnelton

view of a miniature landscape: a cobbled road leads up the center to an area of stone and wood buildings, mostly with peaked roofs, and then through a tunnel under a craggy mountain. In the foreground is a three-story half-timbered building with a wagon and horses in the street on one side and a brick plaza on the other. The left and right areas before the buildings by the mountain are forested with a variety of trees.
View of Tunnelton from the south. The inn at the crossroads is known for good bard shows and dancing, as well as its fine top floor deck view of the tunnel entrance.

The northernmost town of the Nymion culture is Tunnelton. It is located on the northwest flank of the sacred Twin Mountains and is built around both ends of an amazing natural tunnel below a high, ridged section of the hardest stone. A cave of softer material underneath slowly eroded over centuries and was then respectfully shaped by the Nymioni into a passageway large enough for the tallest wagons. A good cobbled road now runs through it with sidewalks on both sides.

The town is built into each end of the tunnel with the majority of the residential area on the north end where there is more farmland, but the south featuring several strong attractions. The first is the excellent three-story Huzzon-style building at the northward turning, The Silver Reed Inn. The ground floor offers both a cookshop for hot foods and a general store for fresh produce and crafted things. Rooms to stay in can be rented on the middle and top floors. The upstairs deck, with its bright ceramic statue of a happy, striped beast drinking from a large bowl, has a great view of the southern part of the town and the tunnel entrance. It also overlooks the expansive patio which hosts bardic performances and dancing.

A three-story half-timbered building with a thatch roof stands beside a cobbled road. A loaded wagon drawn by two sturdy horses is parked outside where two people are trading, watched by the wagon-owner's dog. In the distance the road leads toward a town built into the face of a mountain.
The Silver Reed Inn rises over the crossroad leading to Tunnelton.

The Silver Reed Inn gets its name from a local legend of an underground lake hidden within the mountain, secreted away from prying eyes. Wild magic is said to imbue the herbs and other plants there with unusual abilities. The clear, cold pool lit by the phosphorescent cave mosses is ringed with tall, shining stalks, the silver reeds of the inn’s name. Bards and musicians who visit always check the pond nearby for reeds which have flowed out of the mountain. Those reeds allegedly make the best woodwind music, which can sway the reticence of even the most stubborn mule.

Travelers with horses, oxen, or other livestock should note the convenient alley beside the inn which adjoins that watering pond of fresh outflow from the mountains. Just look for the domed stone roof of the water tower which has the outflow at its base. Your beasts may not become musically or magically inspired, but it’s good healthy water for them regardless.

Water flows out of an archway into a pond. Above the archway is built a square mossy structure with concave sides and a domed stone roof. in the distance is a town square with a couple saddled horses tied to a hitching post.
The cold, clean outflow of mountain water, a supply of which is stored above in the tower and piped to the horse trough at the stable opposite the Bull Smithy.

The second attraction in this side of town is the greater access to southern goods and travelers. The region north, beyond Tunnelton, is that of the Four-Horns Huzzoni. Excellent for farm-goods and source of some of the best oxen, but not for the cloth and thread of the First Davuri, the pottery and plaster of the Gatekeep Nymioni, or the artwork of the First Nymioni. Traders bound not through the tunnel, but northeast through the edge of the Four-Horns Huzzoni area and on to the coastal settlements of the Festival Shafori at the Inland Sea will often lighten their load by trading statuary here in southern Tunnelton, their last chance at the lucrative Nymion market for such goods.

After passing the Silver Reed Inn and paying your respects at the shrines to The Memory Palace, The Masked Ball, and The Loom, you will see examples of the fine statue collection of the residents here. Most are not for trade, but it doesn’t hurt to inquire if you are interested in a piece.

A cobbled road transitions up via a rough stone slope to a flagstone plaza, then up another rough slope to a cobblestone town square surrounded by buildings with a mountainside in the background. Beside the bottom slope are two stone shrines. The left one has small bottles and bowls. The right one has a metal frame which holds a fabric hanging.
Wagon ramps taking you from the lower levels into the mountains are lined with shrines and statues.

This southern side of Tunnelton is a popular regional meeting place for scholars interested in the arcane. Local arcanists have a meeting room and private library in the building between the stables and the water tower, and use the flat roof for outdoor experiments. Spellcasters passing through are encouraged to visit and exchange knowledge.

An aerial view of a town square in which a closed wagon or carriage drawn by two horses is beginning to turn down the road leading into a tunnel under a mountain. On one side of the square is a huge forge where a red-haired and red-skinned person is working at an anvil. Behind them is a building with a wide arched opening and a tall narrow tower ending in a soot-stained vent and peaked top. At the right-side of the square, atop a small building, a group of four people are gathered around a table, with various objects resting on the cornerposts of the railings of its roof deck.

The third attraction is the Bull Smithy which has a staff representing all types of metalworking and also does smelting. They serve a wide area and produce quality goods which are traded even farther. The stables opposite the smithy, in addition to shoeing horses, have leathercrafters on site making and repairing bridles, reins, stirrups, and other stable gear. (Note that since a retirement, the wheelwrights are somewhat inconveniently all located on the north end of the tunnel.)

A closer view of the closed wagon or carriage heading into the tunnel and the smith at the anvil. The buildings opposite the smith have closed double doors and the stone and plants of the mountainside are visible behind the roofs of those buildings.
The Bull Smithy with its double anvils at the south end of the tunnel. As you enter the tunnel you can only just see the glimmer of light where you’ll emerge to the north.

Whether your travels are taking you to the main part of Tunnelton or you’re passing the crossroads by the Silver Reed Inn, the southern part of Tunnelton is well worth a visit.

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(Thanks to Lance Arthur for his help getting the build started and the history of the Silver Reed Inn, to Nathan Anderson for a public domain image used as a base layer near the caves on the left side of the build, and Simon Burchell for the CC A-SA image used as the view down the tunnel.)

Location: the small town of Waterborn

A landscape showing a mountain with a steep waterfall of multiple sections ending in a round basin and exiting und a narrow natural rock bridge to flow away in a more placid little river. Beside the pool and accessed by the natural rock bridge is a rough stone plateau with a long building with a gabeled roof and slate tiles. A Nymion with a gold-topped staff stands before the wooden double doors of this building, the Magic School. The arched windows of the buildings downstream (eastern) end look over the river to a rural area where the forest at the foot of the mountains meets the river edge and several roundhouses with thatched roofs are located. Signs of farm life surround these buildings with more wildlife amongst the trees. A cut stone bridge with heavy rope railings leads over to the edge of the very small town of Waterborn. Three round stone buildings with conical roofs of matching stone form the north edge of a open green space, with subtle signs of past floods in the area. The center building, with its notice board in front, is larger and taller, and has a large ceramic rosy-brown colored teapot atop the lantern post near its front steps. In the foreground, the river flows south with a marshy area and pond to the east. At the eastern edge, the curving stone wall of another round building can just be seen.
the west edge of the small town of Waterborn, looking north toward the Magic School

The mountain homeland of the Mirror Nymioni meets the farmlands of the First Davuri here in the very small town of Waterborn. A waterfall pours forth from a cave at this eastern edge of the mighty twin mountains, and forms one of the many small rivers which eventually join and flow to the Inland Sea far away.

In spring, as the snows melt, the land is prone to flooding, so those of the Nymion culture here build on rock above the flood lines. Their neighbors of the Davur culture build on high ground when convenient, but generally prefer the convenience of good farming soil to the risk of a damp ground floor. Some even choose to simply rebuild a simpler home every year or two, as needed.

The large public house, The Rosy Pot, and some other buildings in the town have their main entrance on the second floor, reducing the inconvenience of the brief high water season.

A view from the signpost at the west end of Waterborn looks past the three round houses, including The Rosy Pot public house toward the river and waterfall in the distance. A tall Nymion bard holding a lute gestures in greeting from the steps of the public house to a Nymion carter leading their draft horse. The Nymion carter, at a typical 8' tall, towers over the sturdy horse.
a bard greets a carter coming to stay at The Rosy Pot after unloading their delivery

Like public houses anywhere in Kabalor, The Rosy Pot provides food, shelter, and community support to any who want them, and always has a mix of long-term and short-term residents who cook, clean, repair, and bring good cheer. Its huge second-floor room with its graceful windows is one of the hubs of community activity. The top floor has sleeping accommodation, with storage in the attic above, while the ground floor has the kitchen, bathing area, and other essentials.

The Rosy Pot was once a musical hotspot a generation ago when the great Nymion drummer Everywhere-Fun was in his prime. Now his memory and enthusiasm lives on, if not his skills.

Davur buildings in Waterborn are round in their traditional style, but the Nymion influence is felt in their decorative plasterwork and arched windows. Likewise, the Nymion buildings here are more likely to show the Davur preference for displaying the natural colors of the stone rather than plastering them over in pale pastels as Nymion culture tends to elsewhere.

Waterborn is rich in resources: stone and wood for building, good soil for grazing, mushrooms from the forest, fish and greens from the river, and herbs from the marshland along the riverbank.

This west end of town is known for The Rosy Pot, the smithy opposite it across the central green, and the sturdy home beside it with its two public shrines—to The Masked Ball and The Crossroads—raised just above the high water mark as the land begins to slope up to the northeast toward the rest of the town.

An overhead view of the smithy opposite The Rosy Pot. It is a round stone farmhouse in the Davur style with its entrance on the second floor to avoid flooding in the wet season. The smith, a red-skinned and muscular Davur stands in front of a hefty stone table piled with a jumble of crafted objects, holding their hammer and a long tool of some kind on which they are working. Their anvil with a bucket of cold water beside it is just the other side of the stone steps from the table of their wares. Beyond them, at the marsh edge of the open green space in front of The Rosy Pot, a small flock of chickens browse near a Davur farmer with a pitchfork who is talking to an attentive seated hound dog. Behind them are a small cart and a plow. The steps of The Rosy Pot, the approaching Nymion carter, and the top of the signpost can be seen along the righthand side of the image.
the central green of the west side of Waterborn

What draws visitors to this spot from both the local area and the villages beyond is the Magic School. This finely restored, Nymion building is situated on a plateau at the base of the waterfall, constantly serenaded by the rushing waters tumbling down the cliff and churning in the pool below before passing under a rock bridge to calm themselves in the little river. (Daring locals know of a bathing pool partway down the cascade where the chilly waters can be enjoyed at only a moderate risk of a painful and possibly dangerous ride down the rapids.)

Lush green against mossy stone colors the western side of the little river, framed by the source of its misty good health: the waterfall emerging from a mountain cave in the distance above the Magic School on its rocky promentory over the river. A rough trail leads through the woods and up a stony, climbing path into the mountains where the trees chance from rounded deciduous shapes to pointy conifers. In the foreground a very large dark brown pig wallows in the puddles of the start of the muddy path near the river crossing.
the Waterborn Magic School in its dramatic setting beside the waterfall and river, with teacher Littletree at the door

It is the quality of the teaching, though, rather than the scenic architecture, which gives this school its allure. Littletree, the Nymion instructor, is exceptionally skilled in Earth and Water Element Magics, also having well above average knowledge of the Element Magics of Air, Smoke, and Fire. They may be short in stature for a Nymion, but their reputation as an instructor stands tall in the region. Not only do many of the magical merchants of the area owe their ability to manage their magic to Littletree, so too do a few other teachers at smaller Magic Schools in neighboring areas.

As soon as the weather permits travel in the spring, Waterborn starts to welcome students whose magic has begun to come in—most of them at that cusp between adolescence and adulthood, but some who have gained magic later. Many are accompanied by a relative or close friend who will remain at least for their first few months of study and perhaps through their entire stay. The majority of students learn to control and direct their magical talents by the time the autumn winds begin to chill, but some—whether through lack of diligence or due to possessing more complex magical talents—remain through the cold and blustery winter to complete their studies. Many life-long friendships are formed amongst those who overwinter at a Magic School, as the classic tropes of song and story attest.

The eastern portion of the town is more typically First Davur culture, though still bearing elegant Nymion windows in places. It has a market square and a petite guildhall of the Farmers’ Guild, along with a variety of craftsfolk and other services. A quieter public house, The Wren’s Nest, is down a lane from the square, a little ways past the cheesemaker and the pie shop. The accommodations there are in a circle of small one to three story little towers surrounding a community garden.

Thanks to the natural dye ingredients found in the moor and marsh south of the town, there are many colorful fabric decorations in Waterborn, along with a thriving trade in the bright embroidery threads so important to that traditional art form of the Mirror Nymioni.

Waterborn’s population is about 1200 residents. It is supported by the farming village of Wellfield a quarter day’s walk to the northeast and the herding village of Rattle about the same to the southeast. Along with those two settlements, there are many small farmhouses and foragers’ huts in the area.

Waterborn in winter is buffeted by cold winds off the mountain and in springtime is soggy, but its great natural bounty from late spring through to the first snow makes up for the inconveniences.

Whether you’re choosing a location for a magically talented relation to understand their new gifts, traveling east or west between the mountains and the plains, seeking materials or tools for your craft, or just looking for a lovely spot to simply be, Waterborn awaits!

(learn more about the making this terrain build)